Public and Museum Installations

kNOw Space (Inverted Panopticon)

2018

2-way mirror film, plexi, metal, phytoremediation plants

Des Moines Art Center alternative entrance for 'Body Snatchers'

(2016)

<p style="margin: 0in 0in 8pt;"><span style="color: black; line-height: 107%; font-family: 'Verdana',sans-serif; font-size: 7.5pt;">Richard Meier trap house (replication of Des Moines Art Center architecture) built with local community members. Community lecture/discussion on the state of white voyeurism in relation to race in museum spaces.</span></p>
<p style="margin: 0in 0in 8pt;"><span style="color: black; line-height: 107%; font-family: 'Verdana',sans-serif; font-size: 7.5pt;">Des Moines, IA</span></p>
<p style="margin: 0in 0in 8pt;"><span style="color: black; line-height: 107%; font-family: 'Verdana',sans-serif; font-size: 7.5pt;"><span style="color: black; line-height: 107%; font-family: 'Verdana',sans-serif; font-size: 7.5pt;">2015</span></span></p>

Richard Meier trap house (replication of Des Moines Art Center architecture) built with local community members. Community lecture/discussion on the state of white voyeurism in relation to race in museum spaces.

Des Moines, IA

2015

Collaboration with Dread Scott in Kansas City commissioned by 50/50 gallery (2016)

Des Moines Art Center (2016)

Body Snatchers (rims,cop car, phytoremediation plants, turf)

Des Moines Art Center (2016)

Body Snatchers (rims,cop car, phytoremediation plants, turf)

Des Moines Art Center (2016)

Body Snatchers, performance (rims,cop car, phytoremediation plants, turf)

Souvenir (2016)

White Box NYC Gallery

Marble house facade made live during Trump's nomination speech by undocumented construction workers from Honduras and Mexico

Indigenous Corn Green House (La Esquina Gallery, Kansas City)

Final Phase, American Dreamers (grow light, chrome rims, taxidermy wolf, hyper accumulator plants, turf, police car)

On view at The Soap Factory, Minneapolis (Working Forces)

LV Trap House (2014)